To French chords, the chords of everyday life, not of pop music. JB: It’s to introduce people to the world of Air and our sound. Nic: It’s one big orgasmic movement - a very long exploration, but still going straight to an orgasm, and then to absolute peace. When we discovered it, suddenly we had an outlet. Nic Godin: Playing guitars loud through amps is great fun when you’re 15 and full of hormones, but French people are better at being chefs or fashion designers. And one month after Moon Safari came out, we were huge. We came along with this alien, psychedelic, loungecore music you’d listen to on a Sunday morning after you’d been out clubbing the night before. It was the tail end of Britpop, and people were wanting something else. I didn’t get to go to all the parties, though, because I was generally at home with my wife taking care of Solal, our baby. It was the late 1990s, and Paris suddenly had this incredible electronic music scene: all these clubs were opening up. Jean-Benoît Dunckel: Daft Punk were down the street from us in Paris and we could almost hear the music they were making when we opened the window during band sessions.
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